Combining astonishing narrative shorthand with heightened visual poetics, Fleming traces the trajectory of a love affair gone bad. The romantic ballad "My Old Flame" has rarely sounded so unsettling.
A group of Syrian women, refugees recently resettled in Canada, are negotiating life in their new home. They have some questions. Directed by Anne Marie Fleming, one of the original FFM filmmakers.
Joyously reclaiming "spinsterhood" from its sexist implications, the filmmaker recalls the undauntable great aunt who provided her first driving lesson. Female agency grabs the wheel in a beautifully constructed animated homage.
What gets lost when female voices are stymied during the creative process? Pairing intimate interviews with absurdist re-enactments, Joyce Wong crafts a tartly subversive look at patriarchy and racism in the film industry.
Deanne Foley profiles fellow Newfoundlander Mary Walsh, the Great Warrior Queen of Canadian comedy, musing on time wasted
Deanne Foley profiles fellow Newfoundlander Mary Walsh, the Great Warrior Queen of Canadian comedy, musing on time wasted as an object of desire and time well spent as the fearless agent of her own destiny. A joyous call to action.
Decades before the Truth and Reconciliation Commission, Shirley Bear was defying repressive colonial narratives with inspiring imagery of Indigenous womanhood. Catherine Martin profiles the Wolastoqiyik/Malecite artist known as Minqon Minqon (Rainbow Rainbow).
Cree director Alexandra Lazarowich riffs off classic verité cinema to craft a contemporary portrait of Métis women net fishing in Northern Alberta.
In a mischievous feminist riff on vintage NFB instructional films, Quinn and Leeming tip their hat to Busby Berkeley, enlisting a kaleidoscope of petals in their resistance against the patriarchy.
Kwai Fong Lai is from Hong Kong, Alberta Onyejekwe from Ghana, and Angela Williams from Jamaica. They are immigrants to Canada, visible minorities, and women, a combination designed to make their lives difficult. While Canadian society has yet to accustom itself to its immigrant reality, these strong and resilient women manage to adapt and survive. At home and at work, they speak candidly about the conditions that shape their lives.
This film is a day in the life of one woman, and how she moves through it, as told in a song.
Joseph Kony’s Lord’s Resistance Army kidnapped Evelyn Amony when she was just 12 years old. Kony raped her, and took her as one of his wives. Eventually, Evelyn escaped. Stronghearted tells the first pivotal part of Evelyn’s story as she remembers it years later: the moment she comes face to face with Kony himself. The child regards this man—her kidnapper, her abuser. Facing impossible circumstances, Evelyn begins to wonder: Could he hold the key to her survival?
For more, listen to To Have & To Hold: Evelyn Amony's Story on CBC's The Current.
An unusual documentary investigating rape from the assailant's point of view. Ten men convicted of rape tell their stories, describing their backgrounds, and their violent attacks on women. Social rape, involving people who know each other, is also examined. Two men found guilty of this less-publicized assault are interviewed. Lawyers, the police, teenagers, and men and women in a singles bar are interviewed. They touch on a wide range of issues related to sexual behaviour and attitudes. Why Men Rape is a guaranteed catalyst for discussion. Patrick Watson is the on-camera commentator.