Créé par le pionnier de l’animation, dessinateur et imprésario américain Winsor McCay, Gertie le dinosaure (1914) est considéré comme le premier film d’animation centré sur un personnage. Gertie interagit avec son environnement et aussi avec McCay, qui se tient sur une scène à l’avant de l’écran. Avant la tombée du rideau, McCay « entre » dans l’écran et devient un personnage animé, montant sur le dos du dinosaure.
This minimalist piece of animation explores the origin of life.
Produced as part of the fourth edition of the NFB’s Hothouse apprenticeship.
In this whimsical animated short, filmmaker Rachel Peters asks: "what if the laws of physics suddenly ceased to apply?" Peters explores this question through the tale of a man and his two goldfish as they prepare for the end of the world. Technique: drawn animation, digitally coloured and composited.
Produced as part of the third edition of the NFB’s Hothouse apprenticeship.
This short animation film is about two little men floating into the deep blue sky, tied to balloons. But then each decides the sky belongs to him.
Produced as part of the fourth edition of the NFB’s Hothouse apprenticeship.
In this short animation film Dale Hayward brings to life his watercolour on paper.
Produced as part of the fourth edition of the NFB’s Hothouse apprenticeship.
This is a combination of stop-motion puppet and drawn animation. We observe a forlorn woman on a Halifax dock, whose loneliness is lifted by the passing of a fishing trawler. A metaphor on the connectiveness of water and water's capacity as a medium of freedom.
Produced as part of the first edition of the NFB’s Hothouse apprenticeship. Theme was "Water and Our Relationship to It".
This short animation film is an “epic” adventure and a magical environmental fairy tale. Amy Lockhart uses cutouts, drawings and collage (captured and manipulated as digital multi-plane animation) to conjure up her whimsical world.
Produced as part of the second edition of the NFB’s Hothouse apprenticeship.
In this animated short, Sleeping Betty is stuck in bed, victim to a strange bout of narcolepsy. The King calls on his subjects to rescue her and they all respond to the call: Uncle Henry VIII, Aunt Victoria, an oddly emotional alien, a funky witch and a handsome prince. But will a kiss really be enough to wake the sleeping princess? The film, drawn in ink, is a classic example of the anachronistic and playful world of Claude Cloutier.
The NFB's 64th Oscar®-nominated film.
In this animated short, Ruby the pig seeks affirmation in the city around her after witnessing the accidental death of a stranger… and finds it in surprising places. With deft humour and finely rendered detail, When the Day Breaks illuminates the links that connect our urban lives, while evoking the promise and fragility of a new day. Winner of over 40 prizes from around the world, the film also features singer Martha Wainwright.
This funny yet serious short film demonstrates the effectiveness of advertising and the marketing machine. Its comic appeal lies in the characters and the absurd situations they find themselves in, but it also shines a harsh light on our tendency towards needless consumerism prompted by a steady flow of commercials.
Le 26e film de l’ONF à être nommé aux Oscars®
Court métrage d’animation sur la marche et ses plaisirs. Les couleurs en détrempe sont l'une des techniques impressionnantes utilisées dans ce film par Ryan Larkin. Pas de commentaires. Une trame sonore qui comble le silence.
In this short film, Norman McLaren is literally caught by his own film tricks. As he attempts to welcome an audience, he is frustrated by an animated microphone with a will of its own.