Joyously reclaiming "spinsterhood" from its sexist implications, the filmmaker recalls the undauntable great aunt who provided her first driving lesson. Female agency grabs the wheel in a beautifully constructed animated homage.
Combining astonishing narrative shorthand with heightened visual poetics, Fleming traces the trajectory of a love affair gone bad. The romantic ballad "My Old Flame" has rarely sounded so unsettling.
Deanne Foley profiles fellow Newfoundlander Mary Walsh, the Great Warrior Queen of Canadian comedy, musing on time wasted
Deanne Foley profiles fellow Newfoundlander Mary Walsh, the Great Warrior Queen of Canadian comedy, musing on time wasted as an object of desire and time well spent as the fearless agent of her own destiny. A joyous call to action.
Decades before the Truth and Reconciliation Commission, Shirley Bear was defying repressive colonial narratives with inspiring imagery of Indigenous womanhood. Catherine Martin profiles the Wolastoqiyik/Malecite artist known as Minqon Minqon (Rainbow Rainbow).
What gets lost when female voices are stymied during the creative process? Pairing intimate interviews with absurdist re-enactments, Joyce Wong crafts a tartly subversive look at patriarchy and racism in the film industry.
Cree director Alexandra Lazarowich riffs off classic verité cinema to craft a contemporary portrait of Métis women net fishing in Northern Alberta.
In a mischievous feminist riff on vintage NFB instructional films, Quinn and Leeming tip their hat to Busby Berkeley, enlisting a kaleidoscope of petals in their resistance against the patriarchy.
A group of Syrian women, refugees recently resettled in Canada, are negotiating life in their new home. They have some questions. Directed by Anne Marie Fleming, one of the original FFM filmmakers.
This film is a day in the life of one woman, and how she moves through it, as told in a song.
Kwai Fong Lai is from Hong Kong, Alberta Onyejekwe from Ghana, and Angela Williams from Jamaica. They are immigrants to Canada, visible minorities, and women, a combination designed to make their lives difficult. While Canadian society has yet to accustom itself to its immigrant reality, these strong and resilient women manage to adapt and survive. At home and at work, they speak candidly about the conditions that shape their lives.
This short follows grand dame of the theatre Diana Leblanc as she prepares for a role in The Dybbuk (Soulpepper Theatre Company) and gets ready to direct an opera (Madame Butterfly). The film weaves together archival footage, photographs, and animation depicting Leblanc as a young ballerina, offering an intimate reflection on her life’s passions, challenges, and lessons.
Produced by the NFB in co-operation with the National Arts Centre and the Governor General's Performing Arts Awards Foundation on the occasion of the 2015 Governor General's Performing Arts Awards.
In this live action/animated short, a talking goldfish recounts the story of Sparky the dog and his owner, a young girl named Brigitte who suffers from a serious illness. This moving film explores the bond between human and animal, and more importantly, the bond between friends.