The Days of Whiskey Gap

The Days of Whiskey Gap

| 28 min
Your rental expires on
You already own this film. Download it from your purchase library

Rousing tales of the North-West Mounted Police are brought to life through photos and artists' sketches. In 1873, the North-West Mounted Police were established to maintain law and order in the North-West Territories. They undertook a trek from Fort Dufferin, south of Winnipeg, to Fort Whoop-up, near present-day Lethbridge, Alberta. The force raised the flag and proclaimed the Queen's law, ensuring that the Canadian West would not become a lawless American-style frontier.

The troubled early history of the Royal Canadian Mounted Police is the subject of The Days of Whiskey Gap, a rollicking documentary on the days of the Wild West in Canada. This is by no means a romanticized look at the Mounties but a critical look at the settling of the Canadian West.

Albert Ohayon
From the playlist: The 1960s: An Explosion of Creativity

After City of Gold I tried hard to find another Canadian gold mine archive of photographic or drawn graphic material that would make a film. I looked at the archive of the Mounted Police and the Calgary archives. They had a few photographs that I copied. Then I found a book called Whoop Up Country by Paul Sharp, published in 1955, that revitalized my interest. I found another book that mentioned Henri Julien, the young French-Canadian newspaper illustrator that had accompanied the Mounted Police going west to record their trek in detail. I decided that there was enough pictorial material to begin work.

In a trip to Alberta I talked to old timers--very old timers such as Ellis Henri. I had gone to school very close to Whiskey Gap with several of his twelve children. Whiskey Gap was an historic valley through the Milk River Ridge where much of the early history had occurred.

I worked with Tom Daly, John Spotton and Roman Kroitor to make a television film in the style of the Candid Eye Series. I interviewed many people in the Canadian West and Montana, USA. While it was fascinating history, it was also disappointing because some people had wonderful stories but they had lost their verbal skills or memories… A very few were GOOD storytellers. They were not affected by the presence of the camera, our film crew or myself. There were very old people who had lived before the end of the nineteenth century. Pure gold! I wanted authentic people only, not fictional people. They existed!

There was careful editorial selection by my colleagues, a narration by Stanley Jackson and a musical score by Soapy Douglas.

The film won a prize for television at Cannes. Some American critics thought that it was anti-American. I still don't think that fifty years later.

Colin Low
From the playlist: Colin Low: Recollections from a Distinguished Career

Pedagogical evaluations and study guides are only available to CAMPUS subscribers.

CAMPUS

Features designed specifically for teachers! Learn more

Already subscribed? Sign in

Embed this code on your site

Video player width

by (( height )) Reset
Credits
  • director
    Colin Low
  • producer
    Roman Kroitor
    Wolf Koenig
  • executive producer
    Tom Daly
  • writer
    Stanley Jackson
  • photography
    John Spotton
    Jim Wilson
    Roy Nolan
  • sound
    Marcel Carrière
    George Croll
  • editing
    John Spotton
  • sound editing
    Kathleen Shannon
  • music
    Donald Douglas

  • Watch your films later, offline,
    on your phone or tablet.
  • Have a question or need help?
    Click here to contact us!
  • sixam

    Imagine living beyond 100 and witnessing so much social, political, economic and technological change. That's amazing.

    sixam, 30 Dec 2010