The NFB is committed to respecting your privacy

We use cookies to ensure that our site works efficiently, as well as for advertising purposes.

If you do not wish to have your information used in this way, you can modify your browser settings before continuing your visit.

Learn more
Skip to content Accessibility

La couleur de la beauté

Renee Thompson essaie de se tailler une place dans l’univers des grands mannequins à New York. Elle est belle, ambitieuse et possède la démarche des mannequins. Or, elle est noire et dans cet univers, la femme blanche représente le canon de la beauté. Les agences recrutent rarement des mannequins de race noire. Et lorsqu’elles le font, elles veulent des filles qui ressemblent à « des blanches saucées dans le chocolat ».

Your rental expires on
None
You've already purchased this film.
Download it from My purchases.

Details

Renee Thompson essaie de se tailler une place dans l’univers des grands mannequins à New York. Elle est belle, ambitieuse et possède la démarche des mannequins. Or, elle est noire et dans cet univers, la femme blanche représente le canon de la beauté. Les agences recrutent rarement des mannequins de race noire. Et lorsqu’elles le font, elles veulent des filles qui ressemblent à « des blanches saucées dans le chocolat ».

 This work deals with mature subject matter. Viewer discretion is advised.
  • direction
    Elizabeth St. Philip
  • producer
    Alexandra Yanofsky
  • delegate producer
    Aisling Chin-Yee
    Marie-France Côté

Education

Ages 11 to 17

Notes

Student groups suggest 5 or 6 vocations or professions. Are some innate attributes required? Discuss: although film does not approach black models from the point of view of the readership, what is the effect on women's self-image? Students select an internet or TV ad and write an analytical paragraph indicating the target audience in terms of gender, income, age and other characteristics. Ad placement: who watches the program?

More educational content

La couleur de la beauté
Purchase options
Licence Information
Already paid to see this film?
Licence Information
Download licence details
Personal & Single-Classroom Use

Who it’s for:

Individuals watching for personal use, and parents or teachers wishing to screen a film for a single class in Canada.

What it allows:

  • Private, personal viewing in Canada and worldwide.
  • Screening the film for a single class in Canada.
  • Downloading and watching offline.

What it does not allow:

  • Screenings or events for multiple classes, school boards, or campus-wide events.
  • Community, public or institutional screenings or events.

Bonus materials are not included with the downloaded film.

Institutional Use

Who it's for:

Organizations, government departments, businesses and non-profits. For other institutions seeking licensing options, please contact info@nfb.ca .

What it allows:

  • Internal screenings for employees, members or patrons.
  • Screenings open to the public on the organization’s premises, with no admission fee and outside the commercial cinema circuit.
Looking to host a one-time public screening instead?

Who it's for:

Public libraries, community groups, NGOs and other organizations wishing to host a one-time public screening in Canada with no admission fee.

How to request a screening:

Complete the “Request to screen an NFB film” form.

For any questions, email communityscreenings@nfb.ca.

Streaming restrictions

Films purchased as downloads (DTO) cannot be hosted on a streaming server without prior authorization.

To request permission to add these films to an institutional or educational streaming server, contact info@nfb.ca.