Illuminating a new paradigm for domestic-violence prevention, A Better Man offers a fresh and nuanced look at the healing and revelation that can happen for everyone involved when men take responsibility for their abuse. It also empowers audience members to play new roles in challenging domestic violence, whether it’s in their own relationships or as part of a broader movement for social change.
Beauty explores the lives of five gender-creative kids, each uniquely engaged in shaping their own sense of what it means to be fully human. Whether it’s dealing with bullies, explaining themselves to their parents, or navigating the uncharted waters of relationships, Bex, Lili, Fox, Tru and Milo talk about their experiences and struggle to live in authenticity.
High Wire examines the reasons that Canada declined to take part in the 2003 US-led military mission in Iraq, shining a spotlight on the diplomatic tug of war that took place behind the scenes with our neighbours to the south, who have often adopted an interventionist foreign policy to serve their own economic and geopolitical interests. Canada’s historic refusal could have had disastrous consequences, but a number of key players and other analysts remind us of the terrible price we pay when diplomacy fails.
When death haunts a high school in a small town in the late 1990s, everyone is forever transformed. In this gentle, prismatic film, Samara returns to the town she fled as a teen to re-immerse herself in the memories still lurking there, in its spaces and within the dusty boxes of diaries, photos and VHS tapes. 1999 is not a ghost story, but the ghosts are palpable at every turn. The snow-covered streets, the school’s hallways and lockers are preserved as in a dream. The absences left by the relentless teenage suicides still shimmer with questions, trauma and regret. Samara encounters people who are as breathtaking as they are heartbroken, and, finally, 16 years later, the community strengthens itself by sharing the long-silenced memories. Ultimately the film weaves together multiple voices in a collective essay on how grief is internalized—and how, as children, we so painfully learn to articulate our desire to stay alive.
A disturbing portrait of four Western volunteers who risk their lives to fight ISIS alongside Kurdish forces. The feature documentary My War probes the complex motives behind the need to take up arms on someone else’s behalf.
Filmed in cinéma vérité style, this feature-length doc follows a group of incarcerated men with troubled pasts as they undergo treatment based on Indigenous philosophy at the Waseskun Healing Center. Director Steve Patry spent a full year with these men, gaining their trust and confidence. The result is a remarkable and gripping film about learning to overcome suffering and finding balance.
Deep in the Great Bear Rainforest, against the backdrop of British Columbia’s breathtaking wilderness, a former hunter comes to terms with his past and looks with hope towards the future. Exploring one man’s evolving relationship with the natural world, Way of the Hunter tells the compelling story of Robert Moberg, a hunter who ultimately traded his gun for a camera.
This documentary paints a picture of Arab men that is vastly different from what we’re accustomed to. In this antidote to mainstream-media depictions of Arabs as terrorists and extremists, we get to meet Jay, Ghassan and their friends, who gather at Jamal’s Eden Barber Shop to discuss politics, religion and family over a cut and a shave. Often funny, sometimes sad, this engaging film documents the challenges these men face integrating into Canadian life while preserving their identity and culture.
“When you don’t know your language or your culture, you don’t know who you are,” says 69-year-old Armand McArthur, one of the last fluent Nakota speakers in Pheasant Rump First Nation, Treaty 4 territory, in southern Saskatchewan. Through the wisdom of his words, Armand is committed to revitalizing his language and culture for his community and future generations.
This short film documents an intimate conversation between a mother and her adult daughter on the subject of abortion. They speak candidly about their personal experiences in trying to obtain the procedure, and how, in different decades – before and after the 1969 amendment to the federal law – each got caught up in the system and its rules. A useful discussion-starter on the complex issues relating to abortion.
This ultra-short film proves that walls are real and borders are imaginary with an animated critique of long-term detention for minors in immigration centres.
This short film from the Filmmaker-in-Residence project is a provocative and transformative dialogue between homeless mothers and healthcare professionals who deliver babies.
An unusual documentary investigating rape from the assailant's point of view.
Ten men convicted of rape tell their stories, describing their backgrounds,
and their violent attacks on women. Social rape, involving people who know
each other, is also examined. Two men found guilty of this less-publicized
assault are interviewed. Lawyers, the police, teenagers, and men and women in
a singles bar are interviewed. They touch on a wide range of issues related to
sexual behaviour and attitudes. Why Men Rape is a guaranteed catalyst
for discussion. Patrick Watson is the on-camera commentator.
In Toronto, Izabel, Bebeth, Natasha, Benoît, Grace and Jean, members of Ontario’s “working poor” directly affected by the economic crisis, agree to take part in group sessions organized by filmmaker Geoff Bowie. They talk about having to work multiple jobs to get by, describe the stress generated by financial vulnerability, and courageously explain their strategies for getting out of their difficult situation. Touching, insightful and full of hope, Courage is a participatory social-issues film that emphasizes the importance of mutual aid and succeeds admirably in condemning the taboo of poverty.
In this personal documentary, award-winning photographer and filmmaker Nance Ackerman invites us into the lives of a determined family for a profound experience of child poverty in one of the richest countries in the world. 20 years after the House of Commons promised to eliminate poverty among Canadian children, 8-year-old Isaiah is trying hard to grow up healthy, smart and well adjusted despite the odds stacked against him. Isaiah knows he's been categorized as "less fortunate," and his short life has seen more than his share of social workers, food banks and police interventions. His parents struggle to overcome a legacy of stereotypes, abuse and dysfunction. More than anything, they want Isaiah and his siblings to have access to opportunities they never had. Ackerman spent 2 years with Isaiah and his family. As her portrait of the family unfolds with the help of Isaiah's creative input, curiosity and zest for life, so do Ackerman's own feelings about the responsibilities of Canadians to raise all children as our best investment in the nation's future.
When their son is accused of murdering his sister, a mother and father face perhaps the most awful decision any parent could have to make: whether to break with their son or accept him back into the family. With astonishing footage shot over a ten-year period, from minutes after the crime was committed to the present, the film follows the family's evolving relationships.
With unprecedented access, this documentary paints an intimate, complex portrait of kids in jail. The film raises difficult yet vital questions about at-risk youth and young offenders, and asks: Should we be doing more to help them?
Directed by John Kastner, this feature documentary about violence, mental illness, and the rights of victims tells the story of a troubled young man who stabbed a complete stranger 6 times in a crowded shopping mall while gripped by psychosis. Twelve years later, his victim, who miraculously survived, is terrified to learn that he’s out, living in the community under supervision. He’s applying for an absolute discharge, and if he succeeds, he’ll no longer be required to take the anti-psychotic drugs that control his mental illness. With unprecedented access to the patient, the victim, and the mental institution, the film looks at both sides of the debate and puts a human face on the complex ethical issues raised.
In this documentary, Paul Cowan delivers unprecedented access to the United Nations Department of Peacekeeping, and the determined and often desperate manoeuvres to avert another Rwandan disaster, this time in the Democratic Republic of Congo (the DRC). The film cuts back and forth between the United Nations headquarters in New York and events on the ground in the DRC. We are with the peacekeepers in the 'Crisis Room' as they balance the risk of loss of life on the ground with the enormous sums of money required from uncertain donor countries. We are with UN troops as the northeast Congo erupts and the future of the DRC, if not all of central Africa, hangs in the balance. As Secretary General Kofi Annan tells the General Assembly at the conclusion of The Peacekeepers: "History is a harsh judge. The world will not forgive us if we do nothing." Whether the world's peacekeeper did enough remains to be seen.
This feature documentary tells the stories of 5 asylum seekers who flee their native countries to escape homophobic violence. They face hurdles integrating into Canada, fear deportation and anxiously await a decision that will change their lives forever.
The people of the Attawapiskat First Nation, a Cree community in northern Ontario, were thrust into the national spotlight in 2012 when the impoverished living conditions on their reserve became an issue of national debate. With The People of the Kattawapiskak River, Abenaki director Alanis Obomsawin quietly attends as community members tell their own story, shedding light on a history of dispossession and official indifference. “Obomsawin’s main objective is to make us see the people of Attawapiskat differently,” said Robert Everett-Green in The Globe & Mail. “The emphasis, ultimately, is not so much on looking as on listening—the first stage in changing the conversation, or in making one possible.” Winner of the 2013 Donald Brittain Award for Best Social/Political Documentary, the film is part of a cycle of films that Obomsawin has made on children’s welfare and rights.
In a probing yet playful approach to a sensitive subject, this documentary examines the values that prompt people to alter their looks through cosmetic surgery. Personal accounts of men and women, young and old, who have decided to change their bodies are counterbalanced by comments from professionals who explain the effects of physical appearance on our lives. The film focuses mainly on the experiences of Daisy de Bellefeuille, a frank and feisty woman who decides to counter middle age with a facelift. The film provides us with a front-row seat during a facelift operation, as well as a close-up look at the results.
This documentary brings together a group of long lost classmates who used to belong to an after-school film club. Formed at the initiative of a Grade 8 teacher eager to pass along his love of cinema, the club attracted a klatch of immigrant kids eager to embrace their new country. Stimulating and creative, the club was a complete departure from anything they had known and provided a safe haven from the harsh world around them. Together, they made a tiny 8mm award-winner called Ohh Canada.
Twenty-five years later, the group looks back to marvel at their childhood dreams and the bond they share with the teacher who brought them together.
This film was produced as part of the Reel Diversity Competition for emerging filmmakers of colour. Reel Diversity is a National Film Board of Canada initiative in partnership with CBC Newsworld.
In this short documentary, a succession of black and white photographs provides a gritty look at juvenile prostitution and at the young people, male and female, struggling to get off the streets. Highlighting the links between being sexually abused as a child, loss of self-esteem, and turning to the streets, the film quickly dispels the images of glamor and big money usually associated with prostitution, and shows the positive efforts of child-care workers to help juvenile prostitutes find a way out.
This documentary offers a glimpse into the 1997 federal election in the Halifax electoral district. Two strong female politicians, Liberal candidate Mary Clancy and NDP party leader Alexa McDonough, are caught in a tight competition in one of the most contested races in the country. Director Meredith Ralston follows the two women around the campaign trail for weeks, getting inside an election that was often described as “nasty.” Both larger than life and hungry to win, in quieter moments Clancy and McDonough reveal the strains and contradictions of their chosen careers. Why Women Run highlights the accomplishments of women in politics and the problems many women face participating in the political process.
This documentary follows Rick Zakowich as he faces his lifelong struggles with his weight and body image. Child therapist by day and blues singer by night, Rick's charisma and talent are undeniable, yet he remains fixed within the definition of a narrow label. The film takes on appearance-based oppression and fat-shaming by examining the ways in which society treats people whose bodies don’t necessarily match a narrow, unrealistic ideal of attractiveness. Instead of losing weight, Rick gains valuable insight, transformative new friendships, and a profound sense of self-confidence.
This short animation about the perils of tobacco smoking takes us to the kingdom of King Size, a land where "no smoking" is illegal. Here, intoxication dangers and health risks linked to cigarettes are blissfully ignored, and non-smokers are unwelcome. A humorous invitation for young people not to start smoking, or if they have, to relinquish the hazardous habit.
This documentary explores and debunks myths about male homosexuality. Examining relationships between men - from long-standing monogamous partnerships to brief encounters - the film features men of all ages talking openly about their sexuality and the challenges of self-acceptance in a straight, often homophobic society. Drawing from intimate interviews as well as action scenes ranging from a steamy dance floor in Montreal's gay village to a gay ex-policeman lecturing to future officers, When Love is Gay brushes a realistic portrait of an evolving gay culture.
In this short documentary, social activist and educator Rosemary Brown speaks to the high school students about the incidence of poverty among women. The film outlines the role of women in the work force and in society, as well as the causes of and possible solutions to the 'feminization of poverty.'
WARNING: This film discusses the topic of OCD. Viewer discretion is advised.
This feature documentary explores the daily lives of individuals living with Obsessive Compulsive Disorder (OCD), a misunderstood anxiety disorder characterized by intrusive thoughts, nagging fears and ritualistic behaviour. From the outside, its sufferers have no physical disabilities and have every appearance of being as functional as the next person. But inside, a daily war is waged for survival.
In this short documentary about autism, director Anna Barczewska examines the complex challenge of raising autistic children. Through the voice of Jan's devoted mother and the comments of specialists, the film offers an introduction to this neurological disorder that reduces one’s ability to communicate with the outside world.
This feature documentary follows a number of women with disabilities as they affirm their right to seek, develop and sustain intimate relationships with the partners of their choice. In this moving one-hour film, four disabled women from across Canada share their personal experiences, with particular emphasis on sexuality, self-esteem, stereotyping, and parenting.
This feature documentary tells the story of 2 teens who head out west in search of self. Like a quarter of Vancouver’s itinerant youth population, Mélo and Ti-criss made the trip from Quebec, hopeful for a better life. Still minors, the pair seeks escape and adventure, perhaps the meaning of life. From east to west, from the streets to a hotel, with a welcome interlude in the country, they seek their place in society.
This feature documentary takes us back to April 20, 2001, as Quebec City prepares to host the 3-day Summit of the Americas. A 4-kilometre fence has been erected, cutting off the Upper Town from the rest of the city. Thirty-four heads of state from the Americas will meet behind closed doors to discuss agreements for a Free Trade Area of the Americas (FTAA). Those opposed to the FTAA are mobilizing and gathering in Quebec City, too. Several thousand delegates have come to participate in the People's Summit, and tens of thousands will march in protest. Six thousand police officers fill the streets and it looks as if the historic Quebec capital is under siege. The local population fears the worst. Will the Quebec capital become a battleground?
Shot in cinéma vérité style by 7 of Quebec's best documentary filmmakers, View from the Summit vividly portrays what happens when passionate and creative protesters clash with the ideologies of those in power.
Murray Siple's feature-length documentary follows a group of homeless men who have combined bottle picking with the extreme sport of racing shopping carts down the steep hills of North Vancouver. This subculture shows that street life is much more than the stereotypes portrayed in mainstream media.
The film takes a deep look into the lives of the men who race carts, the adversity they face and the appeal of cart racing despite the risk. Shot in high-definition and featuring tracks from Black Mountain, Ladyhawk, Vetiver, Bison, and Alan Boyd of Little Sparta.
Acclaimed Métis filmmaker Christine Welsh brings us a compelling documentary that puts a human face on a national tragedy – the epidemic of missing or murdered Indigenous women in Canada. The film takes a journey into the heart of Indigenous women's experience, from Vancouver's skid row, down the Highway of Tears in northern BC, and on to Saskatoon, where the murders and disappearances of these women remain unsolved.
This documentary looks at the risks of a proposed sour gas well near Clearwater River, in Rocky Mountain House, Alberta. Farmers and landowners all share concerns. Residents opposed to the well fear a deadly hydrogen sulphide leak. Shell Canada says it must drill to meet energy needs. When mediation talks break down, both sides anxiously await a ruling from Alberta's Energy and Utilities Board.
Exploring the question of Armenian identity, My Son Shall Be Armenian follows filmmaker Hagop Goudsouzian, who travels with five Montreal men and women of Armenian descent to the land of his ancestors in search of survivors of the 1915 genocide. Through interviews with elders and the touching accounts of his fellow travellers, Goudsouzian has crafted a dignified and poignant film on the need to make peace with the past in order to turn toward the future. In French with English subtitles.
Using original animation, archival footage and personal interviews, this full-length documentary portrays the multiple relationships Canadian Muslim women entertain with Islam’s place of worship, the mosque. Islam is the fastest growing religion in the world. In North America, a large number of converts are women. Many are drawn to the religion because of its emphasis on social justice and spiritual equality between the sexes. Yet, many mosques force women to pray behind barriers, separate from men, and some do not even permit women to enter the building. Exploring all sides of the issue, the film examines the space – both physical and social – granted to women in mosques across the country.
Me and the Mosque was produced as part of the Reel Diversity Competition for emerging filmmakers of colour. Reel Diversity is a National Film Board of Canada initiative in partnership with CBC Newsworld.
Renee Thompson is trying to make it as a top fashion model in New York. She's got the looks, the walk and the drive. But she’s a black model in a world where white women represent the standard of beauty. Agencies rarely hire black models. And when they do, they want them to look “like white girls dipped in chocolate.”
The Colour of Beauty is a shocking short documentary that examines racism in the fashion industry. Is a black model less attractive to designers, casting directors and consumers? What is the colour of beauty?
Warning: This film discusses and depicts mature subjects related to sex, sex trafficking and prostitution of people of various ages. Viewer discretion is advised.
In this feature-length documentary, Marilyn Waring demystifies the language of economics by defining it as a value system in which all goods and activities are related only to their monetary value. As a result, unpaid work (usually performed by women) is unrecognized while activities that may be environmentally and socially detrimental are deemed productive. Waring maps out an alternative vision based on the idea of time as the new currency.
This documentary offers a compassionate, open-minded look at LSD and how it fits into our world. Long before Timothy Leary urged a generation to "tune in, turn on and drop out," the drug was hailed as a way to treat forms of addiction and mental illness. At the same time, it was being touted as a powerful tool for mental exploration and self-understanding. Featuring interviews with LSD pioneers, beautiful music and stunning cinematography, this is much more than a simple chronicle of LSD's early days. It's an alternative way of looking at the drug... and our world.
This gripping documentary takes a powerful look at the lives of people with substance use disorder in Vancouver’s Downtown Eastside. Filmmaker Veronica Alice Mannix follows Constable Al Arsenault and six other police officers on their daily beat, documenting their unique relationships with people who speak candidly about their painful past experiences, their drug addiction, and life on the street.
This fascinating documentary looks at obesity. Stockholm’s Dr. Stephan Rossner, an obesity specialist, proves beyond doubt that obesity is a man-made epidemic. Super-sized fast foods and a $12 billion ad industry are proving to be lethal when mixed with a car-dominated culture, urban sprawl and labour-saving technologies. This film was launched by the NFB and the CBC in partnership with the Heart and Stroke Foundation of Canada and Physical and Health Education Canada.
Sophie Bissonnette's documentary analyzes the hypersexualization of our environment and its noxious effects on young people. Psychologists, teachers and school nurses criticize the unhealthy culture surrounding our children, where marketing and advertising are targeting younger and younger audiences and bombarding them with sexual and sexist images. Sexy Inc. suggests various ways of countering hypersexualization and the eroticization of childhood and invites us to rally against this worrying phenomenon.
This short film follows a group of teenage boys eager to emulate the muscle-filled bodies of their media heroes. Revealing the lengths these boys are willing to go to achieve their goal, this film explores the use of supplements and the temptations of steroids. The boys relate their experiences, desires and motivations to the audience, who are left to draw their own conclusions.
The film is designed to provoke discussion among teenagers about body image and where lines should be drawn between healthy and dangerous behaviour.